An interview with author Alain de Keghel.
American Freemasonry, in context, is challenging to understand as it relates to the rest of the world. In many ways American Freemasonry mirrors the form and function of the lodge but, because it grew-up in the crucible of democracy that was itself, at the time, unique and new to the world at large. American Freemasonry is so different, that it has its own unique designation as “American.” But why does this difference exist? To understand this question, it would take an outsider to examine American Freemasonry. And who better than a Frenchman.
To put American Freemasonry into context I spent some time talking to Alain de Keghel, who is the author of the new book American Freemasonry: Its Revolutionary History and Challenging Future (you can read the press release on the book here) and help shed some light on Freemasonry in North America.
Gregory Stewart (GS) Why write American Freemasonry? What inspired Alain de Keghel to be the one to write it?
Alain de Keghel (AdK): American Freemasonry is an issue which keeps rather controversial in some countries abroad, while people writing, reporting or simply delivering messages about it, not always simply knowing what matters. Quite often they sincerely believe to be aware but they never, by themselves, experienced American Freemasonry which is very diverse. America, as a whole, is a wide country and the addition of people of different creeds, different ethnic origins, different languages and specific cultural areas of origin, making together what we call the “melting pot.” And because I had myself the privilege to live in the USA for a long period of time, benefiting also from the Fraternity of American Masons before of that, for example in Germany and Japan, I felt that it may be useful to share this quite rare experience in writing a book without prejudice. Even though I keep of course a specific cultural French reference simply because my basic roots are there, I tried to do it without any partisan point of view. This requires being familiar with American history which includes also the political side.
Of course any one will agree that Freemasonry shouldn’t interfere in politics — but nobody can ignore the geopolitical dimension of the origins of the American Revolution and the French-British competition of two major powers that included important Masonic Figures like Thomas Jefferson, Ben Franklin, La Fayette and of course George Washington. But we have to consider also other Freemasons and political actors like the Admirals Cornwallis and Grasse-Tilly who both took a decisive part along with Rochambeau in the famous battle of Yorktown (October 19, 1781) paving the way to the American independence.
Anyone may conceive that as a former diplomat and a Freemason I have indeed an acute interest in those aspects of French-American relationships as well from an international point of view as from both Masonic and historical ones. All these elements inspired me to write a book to try also to share the analysis from outside America. But I never intended to deliver a message which would pretend to be the “unique truth” which simply does not exist. Objectivity is a noble goal but I frankly believe that it does simply not exists.
GS: The French-British competition? Do you mean the anglo war or some other conflict?
AdK: I was referring more generally to the geopolitics at this period of time where the two then “super powers ” and kingdoms where competing all over the world. And for sure in America during the American Revolution.
GS: The press release for the book puts emphasis on the fact that American Freemasonry was “deeply influenced by the experiences of many early American political leaders, leading to distinctive differences from European lodges.” I’m curious if you could elaborate on this or, perhaps, give an example of one of those influences and what difference it’s manifested into.
AdK: In answering your previous question, I was just referring to major figures and early American political leaders while explaining why I choose to report and analyze American Freemasonry “with French eyes.” America, meaning the United States of America, is a young Nation and it appears to me important to refer to the early roots of this First power in the world today if we try to better understand how it evolved in the run of centuries since the famous arrival of the Mayflower with European refugees looking for absolute freedom of religion. Since absolute freedom of thought belongs to the most fundamental aims of Freemasonry, I would say that many of the first American political leaders spontaneously felt very comfortable with the political philosophy of the Enlightenment which is important for Freemasons all around the world. If you read the Bill of Rights and the Declaration of Independence from Philadelphia on July 4, 1776, you very easily will find references to basic principles and values which belong to the patrimony of the Masonic Order. And it is not by chance because many writers of these texts were Freemasons. By the way, we see here the long lasting influence of this way of thinking since the values they referred to, are still accurate today. It is, to me, the most convincing demonstration that Freemasonry, while preventing of mixing in politics, is by definition a place where the civil society may find some references to ideals and principles of an ethical and political nature.
But, unlike in Europe, the same American segments of the society who emigrated to preserve their sacred right to practice their belief without fearing prosecution, these segments of society have also sometimes developed “protective reactions” which may seem contradictory to their aims. I refer here more specifically to the famous Morgan affair which I explain in my book. This was a major challenge to American Freemasons leading once to the candidacy of an “anti-Masonic party” running for federal elections. Since then, we can observe that the memberships of American Freemasonry kept totally away from its involvement in the political life of the American society.
European lodges never experienced this kind of extreme challenge and still keep outmost interested in debates over new issues like bioethics, control of birth, justice or death penalty just to list a few examples. In some countries, like France, lodges used to be a kind of “laboratory” or think tank where these kinds of issues belong to, of course beside and outside of the political partisan debate. This is one of the major distinctive differences with American Freemasonry which avoids playing any societal role and privileges the practice of ritual and of charity. It is not a critique but simply a matter of fact.
Another major difference remains, of course, and reflects specific social specificities on both sides of the Atlantic. In America white and black lodges work, mostly but not exclusively, seperately. In France, Masonic lodges are places where this kind of separation simply does not exist and could not be possible. But here again it is part of different histories.
GS: I’ve had the chance to speak with both Margaret Jacob and Arturo De Hoyos, so I’m familiar with their exemplar work on Freemasonry, but I’m curious why you chose them to pen the forwards for this book?
AdK: Because I am today mainly dedicated to research and academic activities, writing books and sharing my knowledge as a scholar all over the world. I spend a lot of my time working with Universities and Libraries which simply belong to the natural environment to collect and share accurate information and reliable sources. Having spent many years in the USA and still keeping the good habit to visit your country at least once a year, I have an ongoing good relationships with American academics.
Margaret C. Jacob, PhD, is best known as a professor of history at the UCLA and is one of the world’s foremost Masonic scholars. She is considered a pioneer in the field of the history of civil society with emphasis on Masonic history. For that reason it was important to me to have her delivering, also to American readers, a point of view which matters.
For other reasons, my old friend Art de Hoyos appears to me as one of the American Masons best entitled to write comments on my research since he also is recognized worldwide for his sophisticated Masonic education and knowledge. A Grand Archivist and Grand Librarian of the Scottish Rite Southern Jurisdiction he allowed me, as a French life member of the Scottish Rite Research Society, to implement very important research activities in Washington, DC in order to put more light on the French-American Masonic ties throughout time.
But let me also refer here to my other friend, the past Grand Master of the Grand Lodge of California, John Cooper, who also agreed to write an important afterword taking into account what we together did in the nineties and later on for the promotion of inter-Masonic exchanges in Sacramento, Edinburgh and in Paris.
As a matter of fact, these choices reflect a reciprocal confidence of people having different experiences but sharing the same values and one goal: building bridges among people of goodwill!
GS: The title of the book, its dust jacket and interior art leans heavily on the pantheon of American early American Freemasonry. In your work, how deeply did you delve into the other ‘American’ Freemasonry in say Mexico, Canada and further down into South America?
AdK: I am very grateful to you for this question which provides me the opportunity to embrace American Freemasonry in its diversity as I honestly did in my research. If you read my book you will learn that I was also for several years a French Diplomat in charge of representing my country at several inter-American bodies: Organization of American States, ECLAC (a specific body of the UN for economical affairs in Latin America and the Caribbean countries), the Inter-American Bank of Development and the American Regional Health Organization (OPS). My American overview includes, for this reason, a global analysis with a special focus on Latin America. But in my present book, I do not write about this specific and very important dimension. But I just have directed and published, early in July 2017, a new book totally dedicated to Latin America and the Caribbean region. It may be soon also translated in Spanish.
GS: What is this book? Is it out now or is it coming soon?
AdK: This book was meanwhile published — in French so far — in July 2017: L’ Amerique Latine et la Caraibe des Lumieres, Dervy, Paris. It is about to be translated into Spanish and edited in Buenos Aires, Argentine.
One word more about Canada: the Freemasonry in this country belongs to the Conference of American Grand Lodges and I have of course also included a chapter to present it to English speaking readers.
GS: Interesting in your follow up there, you say Canada belongs to the CoAGL (Conference of American Grand Lodges) Why do you think that is?
AdK: It is not an opinion but a matter of fact. Mexican Grand Lodges similarly also included into this masonic regional conference.
GS: In the press release, you establish that there’s a difference between American and European lodges. Could you illustrate a few of what your work defines as differences?
AdK: The answer to this important issue is in fact easy: I have honestly tried to compare both sides and readers will discover in my book what I consider as fundamentally different. So if you allow me would prefer not to elaborate here and to keep the “surprise” for those who will read. But you may have already noticed that I was referring to one major difference. The “racial issue” simply does not exist in European lodges — unlike in America. It appears to me to be a very important difference but there are others which I address in my book. Maybe some reactions of American readers and a kind of dialog could arise from that.
I must confess that this would be of outmost interest for me and some way a privilege to establish such an exchange and dialog with American readers.
GS: Do you think these differences have affected membership levels on both sides of the pond?
AdK: For sure these differences had and still have, in my opinion, an impact on the memberships — but mainly on the influence or input of the Masonic values in the civil society. If you simply look at American statistics — and I do it also quite extensively in my book — you will realize that the memberships is steadily declining in American Lodges since the late 40s of the last century, while it is increasing in France. It is clearly one of the results of differences in addressing Masonic education, societal topics and actual issues.
Masonic education and Masonic tradition are of course both important. But young people connected with a very demanding society expect certainly more.
GS: Do you think the European version of lodge work could be implemented straight out of the box in America?
AdK: I would never say: “Do like us, and you will do better.” It would be, first, very arrogant — but also inaccurate because every society has its own rules resulting from history and culture.
But you raise a good question. Would it make sense to try to experiment with other practices? This is what some American Grand Lodges have already have begun to implement with some impressive success. It is the case in California, for example. No one has a miraculous recipe to offer. But “building the bridges,” a principle I was several times referring to in the run of this interview, may be part of the solution. It is my conviction that everyone has something to learn from encounters in a global world or a “world village” as someone once said. It is part of cross culture, a reality of modern times.
GS: Are there, or do you know of any examples of this implementation?
AdK: Of course yes. I know that specifically at least one Grand Lodge has recently engaged in this policy. It is the Grand Lodge of California.
GS: What do you hope American’s take away from reading American Freemasonry? What do you hope European (or non-American) Masons to take away from it?
AdK: In writing American Freemasonry, first in French, I had mainly in mind to explain to my fellow European Masons what I have learned from my American Masonic experience because they too often have a poor knowledge of America in general and quite often misunderstand it. I had claimed, in a previous answer, to build bridges, and my book is part of that. As an American Publisher, Inner Traditions (American Freemasonry’s publisher) accepted the idea to have my book also translated into English and edited in the USA. I was of course delighted to contribute this way to entertain a dialog with my American Fellow Brethren which is also part of building bridges and reciprocal confidence. At a period of time where the flow of information obeys the law of instantaneity and of superficiality, within the so called social networks with their “like” and “friends” who never encounter beside on the networks, I do hope that my writings may help to develop a better understanding founded on knowledge and not on prejudice.
Maybe, American Masons eventually could also be interested to discover how a French freemason sees them? But I may be mistaken and possibly nobody cares? Let us try!
I remain modest in my ambition.
You can find Alain de Keghel’s new book American Freemasonry: Its Revolutionary History and Challenging Future, published by Inner Traditions – Bear & Company, on its website American Freemasonry, and at American Freemasonry on Amazon.
Johnny Royal, through TriCoast Worldwide, will release a new documentary this Friday, October 13, 2017, that’s set to be the world’s first documentary about the Freemasons made by Freemasons. 33 & Beyond, the Royal Art of Freemasonry is touted as a film that examines the structure of the American Masonic system. On the eve of the films debut, premiering at the Masonic Theater in the Grand Lodge of California in San Francisco,
I had the opportunity to talk to the the director of the work, Johnny Royal, and try to catch a glimpse of the Royal Art before it hits the big screen.
Haven’t heard of the film? You can catch a preview of it here:
Masonic Traveler (MT): Johnny, thanks for taking the time for this.
Johnny Royal (JR): My pleasure. Thank you for your time.
MT: Let me start right into the thick of it, why did Johnny Royal make this movie about Freemasonry?
JR: In 2010, as I was going through the rituals of the Blue Lodge degrees, I felt a calling to share the depth of the emotional experience I had while going through the work. My dad died when I was 14 and I searched for answers and until I encountered Freemasonry, I was looking for answers on spirituality. The film is the hero’s quest and is a love letter to our fraternity.
MT: Reading some of the different blurbs on the film, it seems the final work took some time to emerge, seven years as the release tells it. I’m curious how the story you wanted to tell evolved over that time. Did it move in ways you hadn’t anticipated?
JR: When we finally finished filming we had over 140 hours of footage. One of the main reasons the film took so long was because I really didn’t understand what the story was until I studied all of the footage. I began to understand that there was an alchemical thread which ran through all of the dialogue. The more I understood this, the more I began to shift my story which added 3 years in post of editing, coloring, etc.
MT: Does the film end where you thought it would when you started the project?
JR: Not at all. It turned into a masterpiece and exceeded every expectation I had. In particular, using my own life experiences to create the umbrella of the story arc.
MT: For the title, you use 33 and Beyond. I have to ask, how does that play into the themes of the film.
JR: This movie covers the American Masonic system so we go through the Blue Lodge up through the 33rd degree and all of the York Rite bodies which constitutes the name of the movie.
MT: I’m fascinated to see how the hero’s journey plays out in your film. I’m curious how you see the notions of the hero’s journey play out in the the masonic traditions. Do you find any other philosophical themes at play in the rituals that take place behind the lodge room door?
JR: The idea of the hero’s quest in the film aligns with the thinking of Joseph Campbell. In Masonic rituals we have all of these characters who represent heros and villains. This leads to the idea that we have the individual ability to either be the hero or villain in our daily lives.
MT: Who do you see as the audience for 33 and Beyond? Is it approachable by masons and non-masons alike?
JR: The audience is both public and Masonic alike.
MT: With the premier taking place this weekend in San Francisco, are their upcoming dates that readers can catch the film release in the coming weeks?
JR: We just launched the pre-orders for the Blu-Ray and DVD at www.TheRoyalArtMovie.com and will follow up with a full theatrical schedule.
MT: Any chance 33 and Beyond will make it to the digital streaming platforms for the wide audience?
JR: Yes early next year.
You can catch the red carpet premiere at The Grand Lodge of California in San Francisco and participate in an exclusive Q&A with featured Masons from the film as they answer questions and explore the Masonic tradition.
To get tickets for the October 13 premier, and find more information, visit: https://www.eventbrite.com/e/the-royal-art-of-freemasonry-tickets-37676125305.
Can’t make the premier? You can catch 33 & Beyond, the Royal Art of Freemasonry in select cities in the coming months, including: Nashville, TN, Los Angeles, CA, Phoenix, AZ, Guthrie, OK, Alexandria, LA, Charleston, SC, Philadelphia, PA, New York, NY, Chicago, IL and Detroit, MI.
To preorder your DVD copy of the film, visit: The Royal Art Movie website.
Want more, read the press release from SFGate on about the World Premiere of The Royal Art of Freemasonry Documentary.
The following is an adjusted version of the introduction for a new book I’ve been working on, The Master Mason. This work is the culmination of nearly a decade of consideration and contemplation over the complexities of what it means to become a master in the masonic system of initiation. It is not the complete work and serves as an introduction to the broader themes explored in its subsequent pages. In a nut-shell, the work is an exploration of Freemasonry and how it relates to the Hermetic tradition, the Kabbalah and other esoteric systems that have at various intersections crossed paths with what we know as Freemasonry today.
So, with that in mind, I present to you,
Transcending Yesod – The Third Degree of Freemasonry
“To be or not to be” are the immortal words written by the eminent bard of Avon, William Shakespeare. His question appears in the story of Hamlet made by a lost son striving to find answers to what would, by most, be an unfathomable question which is the essence of the third degree. “To be” is perhaps the oldest of the New Age paradigms stirring echoes across theologies of all cultures said best in the application of the Golden Rule as to do unto others which is Being itself. Like the Golden Rule, in order to do unto others, we must first understand ourselves, the innerness of our being such that we can Be in the first place. This lesson is not something that is wholesale unique to the fraternity of Freemasonry, or this degree, as we find the idea of the Golden Rule transcribed across millennia and within every theological system. So too do we find the testament as a personal gospel of finding our truth. For most, truth is mythology whose philosophical lessons are lost in the dogmas of its authority – its commentaries on the philosophies become more valuable than the philosophies themselves and the value of what was said is lost to the dominion of those who hold authority over them. We must interpret the truths for ourselves so as to find their resonance within us. This is the entirety of the lesson of the third degree, the marrow in the bones of antiquity within which the truth spans all landscapes if the seeker looks deeply enough into its composition. But, as with any concept, truth is itself mutable as generations add or redact its communication creating ever fluctuating permutations and confluences of its principle concepts. Truth is truth, no matter how others dictate its interpretation. It is our own internal mechanisms that decide it for ourselves. For the Mason reading, we, as Hiram, perish in custody of our virtue which in turn is the vehicle of our metaphoric resurrection in being made perpendicular again, a zenith we find in the number three as the union between one and two, duality itself made whole. By reading the degree, whether in the Scottish or York Rite telling, the overtones are distinctly Christian but like the Christian Church itself, the tradition existed well before the consummation of the Gospels and illustrate the depth of antiquity for what they seek to convey. As with every symbolic story, we must look at it with filters and adjudge the entirety by the description of the pieces to achieve a level of perspective over the totality within which it exists. Freemasonry is, if anything else, a conglomerate of ideas, culled together from a variety of sources. So then, to understand its summation we need to look at the Kabalistic connections of this degree as it relates to our Tree of Life progression (see The Apprentice and Fellow of the Craft) as the degree of the Master Mason resides within the Sephirot of Yesod on the pillar of mercy giving several meanings and parallels. So too will we do well in finding its corresponding relations in the Tarot as Yesod relates to the card of the Four Nines, which is also a source of its symbolic origin. But, our greatest understanding will come as we look at the degree itself to try and make sense of why the master mason is arranged the way it is, given its discordant portrayal when compared with the two that preceded it in both presentation and tone. No longer is the degree about simply the teaching of ideas and social principles, nor is it an indoctrination meant to introduce foreign concepts to the newcomer. No, this degree is about the inner journey, the making of the “transcendent transparent” which it does by introducing, in its present-day conduct, an aspect of itself that strives to teach its lesson through theatrics so as to convey its lesson in a manner reminiscent of a morality play with antecedent’s common at the time of its ritual organization. “To be…or not to be,” that is the challenge that faces each of us as we confront our own inner Hiram. And is the question which will open the door of the future of Masonry in the pursuit of the higher degrees. The esoteric writer Eliphas Lévi says, in his book The History of Magic, “Ordeal is the great word of life, and life itself is a serpent which brings forth and devours unceasingly.” Man, is born into chaos to seek light from that which he was created which, the great tradition of Hermetica tells us, is but merely a reflection, as the moon reflects the light of the sun — an aspect of this tradition we find in the parallel with Yesod. So then, we need a place to begin our study and where best to begin than with the number of the degree itself so as to construct an understanding of the significance of the number three and its relationship to many other traditions as the unifying force of division.
What a long road. After a series of unforeseen setbacks, life creeping up and doing what it does best and a few tweaks to the material — The Master Mason, A Treatise on the Third Degree of Freemasonry is ready to become a reality.
I present for you the campaign for The Master Mason — a Treatise on the Third Degree of Freemasonry.
As with the past books, this work is being made available to early adopters through a Kickstarter campaign designed to provide a mix of old and new rewards for those students of the work to commemorate its publication.
Following the path laid out thus far in The Apprentice and The Fellow of the Craft, The Master Mason sets out to complete the path of the Symbolic Lodge giving us firm footing in the climb into the Lodge of perfection. Focusing on the nuances of the degree, the Master Mason ritual is an enigma of sorts in that it’s telling follows a divergent path from its predecessors. It is because of this difference that those who undergo it’s rites experience something new in their becoming a master. As with the earlier works, The Master Mason delves further upon the Kabbalistic Tree of Life taking the necessary detours to explore the symbolism and history of the ritual.
For those veteran contributors, you’ll notice a significant difference from the previous campaigns. This change is some of the lessons learned in undervaluing and short sighting some of the hurdles that come with self-publishing a book like this. If you’re new to this book series and collecting the work, there are definitely opportunities to become a sponsor and ensure a spot in the progress of the Great Work.
And, because of the special history of bringing this work to life, I thought it only fitting to launch it on the day of the full solar eclipse in 2017. Truly, a day from darkness into light.
My thanks to you, in advance, for your support in this passion project of mine.